We are overjoyed to announce that we have sealed vintage copies of the bulk of the Giorno Poetry Systems discography, as well as John Giorno’s debut LP Raspberry / Pornographic Poem, in stock now at the Ergot Records shop. In order to celebrate the renewed availability of these indispensable documents, as well as the legacy of Giorno’s Dial-A-Poem and Giorno Poetry Systems projects, Ergot Records and the John Giorno Foundation present an evening of poetry readings at the shop on Tuesday, April 12th, featuring two members of the inaugural Dial-A-Poem group as well as others who have worked with Giorno over the years and poets of a younger generation now carrying the torch. We will also have a functioning Dial-A-Poem phone installed at the shop between April 12th and 18th.
Inspired by revolutions in vanguard painting, sculpture, music, and dance, poet and performance artist John Giorno founded Giorno Poetry Systems in 1965 as a vehicle for using modern technology to connect poetry with new audiences. In 1968, his Dial-A-Poem project provided the world with access to poetry that could be heard rather than just read, via a telephone hotline that connected each caller with a random two-minute reading by poets that included William Burroughs, John Cage, Anne Waldman, Jim Carroll, Aram Saroyan, Bernadette Mayer, Ted Berrigan, and David Henderson. Dial-A-Poem was subsequently exhibited at the Museum of Contemporary Art Chicago and Museum of Modern Art, with recent installations at SFMOMA and the New Museum. In 1972, Giorno Poetry Systems began publishing vinyl albums of recorded poetry, starting with compilations of the Dial-A-Poem poets before expanding over the ensuing two decades to include long-form performance poetry as well as lyrical music by the likes of New Order, Hüsker Dü, Diamanda Galàs, and Coil. The breadth of the Giorno Poetry Systems’ aesthetic is remarkable for uniting poèsie sonore, the New York School, the Beats, the Black Arts Movement, no wave, industrial culture, and punk under the cohesive umbrella of oral poetry. Its albums’ track lists read as indexes chronicling a who’s who of New York’s downtown scene and beyond, providing ample material for research into under-appreciated figures as well as opportunities for interdisciplinary connections.